The Steadfast Tin Soldier

There were once five-and-twenty tin soldiers. They were all brothers, born of the same old tin spoon. They shouldered their muskets and looked straight ahead of them, splendid in their uniforms, all red and blue.
The very first thing in the world that they heard was, "Tin soldiers!" A small boy shouted it and clapped his hands as the lid was lifted off their box on his birthday. He immediately set them up on the table.
All the soldiers looked exactly alike except one. He looked a little different as he had been cast last of all. The tin was short, so he had only one leg. But there he stood, as steady on one leg as any of the other soldiers on their two. But just you see, he'll be the remarkable one.
On the table with the soldiers were many other playthings, and one that no eye could miss was a marvelous castle of cardboard. It had little windows through which you could look right inside it. And in front of the castle were miniature trees around a little mirror supposed to represent a lake. The wax swans that swam on its surface were reflected in the mirror. All this was very pretty but prettiest of all was the little lady who stood in the open doorway of the castle. Though she was a paper doll, she wore a dress of the fluffiest gauze. A tiny blue ribbon went over her shoulder for a scarf, and in the middle of it shone a spangle that was as big as her face. The little lady held out both her arms, as a ballet dancer does, and one leg was lifted so high behind her that the tin soldier couldn't see it at all, and he supposed she must have only one leg, as he did.
"That would be a wife for me," he thought. "But maybe she's too grand. She lives in a castle. I have only a box, with four-and-twenty roommates to share it. That's no place for her. But I must try to make her acquaintance." Still as stiff as when he stood at attention, he lay down on the table behind a snuffbox, where he could admire the dainty little dancer who kept standing on one leg without ever losing her balance.
When the evening came the other tin soldiers were put away in their box, and the people of the house went to bed. Now the toys began to play among themselves at visits, and battles, and at giving balls. The tin soldiers rattled about in their box, for they wanted to play too, but they could not get the lid open. The nutcracker turned somersaults, and the slate pencil squeaked out jokes on the slate. The toys made such a noise that they woke up the canary bird, who made them a speech, all in verse. The only two who stayed still were the tin soldier and the little dancer. Without ever swerving from the tip of one toe, she held out her arms to him, and the tin soldier was just as steadfast on his one leg. Not once did he take his eyes off her.
Then the clock struck twelve and - clack! - up popped the lid of the snuffbox. But there was no snuff in it, no-out bounced a little black bogey, a jack-in-the-box.
"Tin soldier," he said. "Will you please keep your eyes to yourself?" The tin soldier pretended not to hear.
The bogey said, "Just you wait till tomorrow."
But when morning came, and the children got up, the soldier was set on the window ledge. And whether the bogey did it, or there was a gust of wind, all of a sudden the window flew open and the soldier pitched out headlong from the third floor. He fell at breathtaking speed and landed cap first, with his bayonet buried between the paving stones and his one leg stuck straight in the air. The housemaid and the little boy ran down to look for him and, though they nearly stepped on the tin soldier, they walked right past without seeing him. If the soldier had called, "Here I am!" they would surely have found him, but he thought it contemptible to raise an uproar while he was wearing his uniform.
Soon it began to rain. The drops fell faster and faster, until they came down by the bucketful. As soon as the rain let up, along came two young rapscallions.
"Hi, look!" one of them said, "there's a tin soldier. Let's send him sailing."
They made a boat out of newspaper, put the tin soldier in the middle of it, and away he went down the gutter with the two young rapscallions running beside him and clapping their hands. High heavens! How the waves splashed, and how fast the water ran down the gutter. Don't forget that it had just been raining by the bucketful. The paper boat pitched, and tossed, and sometimes it whirled about so rapidly that it made the soldier's head spin. But he stood as steady as ever. Never once flinching, he kept his eyes front, and carried his gun shoulder-high. Suddenly the boat rushed under a long plank where the gutter was boarded over. It was as dark as the soldier's own box.
"Where can I be going?" the soldier wondered. "This must be that black bogey's revenge. Ah! if only I had the little lady with me, it could be twice as dark here for all that I would care."
Out popped a great water rat who lived under the gutter plank.
"Have you a passport?" said the rat. "Hand it over."
The soldier kept quiet and held his musket tighter. On rushed the boat, and the rat came right after it, gnashing his teeth as he called to the sticks and straws:
"Halt him! Stop him! He didn't pay his toll. He hasn't shown his passport. "But the current ran stronger and stronger. The soldier could see daylight ahead where the board ended, but he also heard a roar that would frighten the bravest of us. Hold on! Right at the end of that gutter plank the water poured into the great canal. It was as dangerous to him as a waterfall would be to us.
He was so near it he could not possibly stop. The boat plunged into the whirlpool. The poor tin soldier stood as staunch as he could, and no one can say that he so much as blinked an eye. Thrice and again the boat spun around. It filled to the top - and was bound to sink. The water was up to his neck and still the boat went down, deeper, deeper, deeper, and the paper got soft and limp. Then the water rushed over his head. He thought of the pretty little dancer whom he'd never see again, and in his ears rang an old, old song:
"Farewell, farewell, O warrior brave,
Nobody can from Death thee save."
And now the paper boat broke beneath him, and the soldier sank right through. And just at that moment he was swallowed by a most enormous fish.
My! how dark it was inside that fish. It was darker than under the gutter-plank and it was so cramped, but the tin soldier still was staunch. He lay there full length, soldier fashion, with musket to shoulder.
Then the fish flopped and floundered in a most unaccountable way. Finally it was perfectly still, and after a while something struck through him like a flash of lightning. The tin soldier saw daylight again, and he heard a voice say, "The Tin Soldier!" The fish had been caught, carried to market, bought, and brought to a kitchen where the cook cut him open with her big knife.
She picked the soldier up bodily between her two fingers, and carried him off upstairs. Everyone wanted to see this remarkable traveler who had traveled about in a fish's stomach, but the tin soldier took no pride in it. They put him on the table and-lo and behold, what curious things can happen in this world-there he was, back in the same room as before. He saw the same children, the same toys were on the table, and there was the same fine castle with the pretty little dancer. She still balanced on one leg, with the other raised high. She too was steadfast. That touched the soldier so deeply that he would have cried tin tears, only soldiers never cry. He looked at her, and she looked at him, and never a word was said. Just as things were going so nicely for them, one of the little boys snatched up the tin soldier and threw him into the stove. He did it for no reason at all. That black bogey in the snuffbox must have put him up to it.
The tin soldier stood there dressed in flames. He felt a terrible heat, but whether it came from the flames or from his love he didn't know. He'd lost his splendid colors, maybe from his hard journey, maybe from grief, nobody can say.
He looked at the little lady, and she looked at him, and he felt himself melting. But still he stood steadfast, with his musket held trim on his shoulder.
Then the door blew open. A puff of wind struck the dancer. She flew like a sylph, straight into the fire with the soldier, blazed up in a flash, and was gone. The tin soldier melted, all in a lump. The next day, when a servant took up the ashes she found him in the shape of a little tin heart. But of the pretty dancer nothing was left except her spangle, and it was burned as black as a coal.

He struggled with the pain of having to choose between something he wanted to do against something he should do. Like he said, he wanted to be fair to himself first, but it is difficult...

"Dead Stars , a lot of us see them in our “heaven” of thoughts. Sometimes we feel as if the feeling is still there, that in one moment during our present, we recall these memories that had packed our past emotions with a sky of rainbows, enough to make us feel in love and hurt all in a short while. These dead stars are
things we remember occasionally, not solely because of the other person, but because of who we were at the time. The other person doesn’t even play a big part in the production anymore; he or she is just a character, a supporting role. The main attraction is how it made us feel, the relationship, the emotions involved.
And best, we must never let those dead stars turn into black holes...

The Little Prince

“Life has taught us that love does not consist in gazing at each other, but in looking outward together in the same direction”

I should have liked to begin this story in the fashion of the fairy-tales. I should have like to say: "Once upon a time there was a little prince who lived on a planet that was scarcely any bigger than himself, and who had need of a sheep..." 

To those who understand life, that would have given a much greater air of truth to my story. For I do not want any one to read my book carelessly. I have suffered too much grief in setting down these memories. Six years have already passed since my friend went away from me, with his sheep. If I try to describe him here, it is to make sure that I shall not forget him. To forget a friend is sad. Not every one has had a friend. And if I forget him, I may become like the grown-ups who are no longer interested in anything but figures... It is for that purpose, again, that I have bought a box of paints and some pencils. 

It is hard to take up drawing again at my age, when I have never made any pictures except those of the boa constrictor from the outside and the boa constrictor from the inside, since I was six. I shall certainly try to make my portraits as true to life as possible. But I am not at all sure of success. One drawing goes along all right, and another has no resemblance to its subject. I make some errors, too, in the little prince's height: in one place he is too tall and in another too short. And I feel some doubts about the color of his costume. So I fumble along as best I can, now good, now bad, and I hope generally fair-to-middling. In certain more important details I shall make mistakes, also. But that is something that will not be my fault. My friend never explained anything to me. He thought, perhaps, that I was like himself. But I, alas, do not know how to see sheep through the walls of boxes. Perhaps I am a little like the grown-ups. I have had to grow old.

“A single event can awaken within us a stranger totally unknown to us. To live is to be slowly born.”


Oh, little prince! Bit by bit I came to understand the secrets of your sad little life... For a long time you had found your only entertainment in the quiet pleasure of looking at the sunset.

I learned that new detail on the morning of the fourth day, when you said to me:

"I am very fond of sunsets. Come, let us go look at a sunset now."



"But we must wait," I said.

"Wait? For what?"

"For the sunset. We must wait until it is time." 

At first you seemed to be very much surprised. And then you laughed to yourself. You said to me: "I am always thinking that I am at home!"

Just so. Everybody knows that when it is noon in the United States the sun is setting over France. If you could fly to France in one minute, you could go straight into the sunset, right from noon. Unfortunately, France is too far away for that. But on your tiny planet, my little prince, all you need do is move your chair a few steps. You can see the day end and the twilight falling whenever you like...

"One day," you said to me, "I saw the sunset forty-four times!"

And a little later you added: "You know, one loves the sunset, when one is so sad..." "Were you so sad, then?" I asked, "on the day of the forty-four sunsets?"

But the little prince made no reply.

“The meaning of things lies not in the things themselves, but in our attitude towards them.”
So I lived my life alone, without anyone that I could really talk to, until I had an accident with my plane in the Desert of Sahara, six years ago. Something was broken in my engine. And as I had with me neither a mechanic nor any passengers, I set myself to attempt the difficult repairs all alone. It was a question of life or death for me: I had scarcely enough drinking water to last a week.

The first night, then, I went to sleep on the sand, a thousand miles from any human habitation. I was more isolated than a shipwrecked sailor on a raft in the middle of the ocean. Thus you can imagine my amazement, at sunrise, when I was awakened by an odd little voice.

It said: "If you please, draw me a sheep!"

"What!"

"Draw me a sheep!"

I jumped to my feet, completely thunderstruck. I blinked my eyes hard. I looked carefully all around me. And I saw a most extraordinary small person, who stood there examining me with great seriousness. Here you may see the best potrait that, later, I was able to make of him. But my drawing is certainly very much less charming than its model.

That, however, is not my fault. The grown-ups discouraged me in my painter's career when I was six years old, and I never learned to draw anything, except boas from the outside and boas from the inside.

Now I stared at this sudden apparition with my eyes fairly starting out of my head in astonishment. Remember, I had crashed in the desert a thousand miles from any inhabited region. And yet my little man seemed neither to be straying uncertainly among the sands, nor to be fainting from fatigue or hunger or thirst or fear. Nothing about him gave any suggestion of a child lost in the middle of the desert, a thousand miles from any human habitation.

When at last I was able to speak, I said to him: "But, what are you doing here?" And in answer he repeated, very slowly, as if he were speaking of a matter of great consequence:

"If you please, draw me a sheep..."

When a mystery is too overpowering, one dare not disobey. Absurd as it might seem to me, a thousand miles from any human habitation and in danger of death, I took out of my pocket a sheet of paper and my fountain-pen. But then I remembered how my studies had been concentrated on geography, history, arithmetic, and grammar, and I told the little chap (a little crossly, too) that I did not know how to draw. He answered me: "That doesn't matter. Draw me a sheep..." But I had never drawn a sheep. So I drew for him one of the two pictures I had drawn so often. It was that of the boa constrictor from the outside. And I was astounded to hear the little fellow greet it with, "No, no, no! I do not want an elephant inside a boa constrictor. A boa constrictor is a very dangerous creature, and an elephant is very cumbersome. Where I live, everything is very small. What I need is a sheep. Draw me a sheep.

So then I made a drawing. He looked at it carefully, then he said: "No. This sheep is already very sickly. Make me another." So I made another drawing. My friend smiled gently and indulgenty. "You see yourself," he said, "that this is not a sheep. This is a ram. It has horns.

So then I did my drawing over once more. But it was rejected too, just like the others. "This one is too old. I want a sheep that will live a long time.

By this time my patience was exhausted, because I was in a hurry to start taking my engine apart. So I tossed off this drawing. And I threw out an explanation with it.

"This is only his box. The sheep you asked for is inside."

I was very surprised to see a light break over the face of my young judge:

"That is exactly the way I wanted it! Do you think that this sheep will have to have a great deal of grass?" 

"Why?"

"Because where I live everything is very small..."

"There will surely be enough grass for him," I said.

"It is a very small sheep that I have given you."

He bent his head over the drawing: "Not so small that, Look! He has gone to sleep..."

And that is how I made the acquaintance of the little prince.